On the virtues and vices of blogging
By Mark Vernon on Monday, October 5 2009, 07:59 - Moral matters - Permalink
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A few days back, the author of the Petite Anglaise blog, whose kiss'n'tell record of expat life in Paris became a lucrative book deal, confessed that sharing every aspect of her personal life online, with little regard for the feelings or rights of others, has turned sour. She's quitting: blogging's a path strewn with landmines, she says, and now that she's turned the page, it feels good.
Reading about her decision led me to ponder, again, the ethics of blogging. I don't much go for the warts'n'all approach. But even so, the blogging game is one that nurtures certain habits which, how can I put it, may or may not make for human flourishing. It's good as a writerly discipline and it connects with others; but then there's the obsession, the egoism and, as those involved with Cif will know, the flaming. Like much of what happens on the internet, it's not that blogging conjures up anything that's new to human nature. But it does tend to intensify the virtues and vices that exist already. Therein lies the Faustian element.
So I suspect some rules, written or implicit, are of value. The evangelical alliance has ten blogging commandments. Yahoo! has these guidelines. Individual bloggers develop personal approaches, like this code of amiability.
For myself, I guess the basic ideal comes from decent journalism, which can be summed up in the word accuracy. Criticism is implicit in much blogging, though I try not to exclude conciliation in the process. I don't blog or comment anonymously, which is partly because I want my byline to be visible, but also because I think it encourages responsibility in the exercise of the right of self-expression. Ad hominem attacks are a sin. And then, not unlike Petite Anglaise has done, I ask myself whether, overall, it feels good.
Other tips?











Comments
I prefer bloggers who keep the subject matter narrower and write about what they know. My main blog is about writing and editing, and recently I started a temporary blog about healthcare reform because I have a background in benefits. Since I don't write for controversy, I don't attract thousands but the few hundred who do visit seem to appreciate that I know what I'm talking about.
I enjoyed reading those "Ten Commandments," which made sense to me even though I do not consider myself as operating from within a Christian matrix. A very cool way of expressing the idea, nonetheless.
I agree with you about accuracy, about criticism/conciliation, and responsible self-expression. I don't post what I can't verify, unless it's a deductive speculation, which I think is reasonable within the matrix of writing about the arts.
For myself, I am aware that what I write on my own blog is more carefully-formed, perhaps, but it's not very different from what I write in my journals, or in other essays, or how I interact with people in daily life. I'm not very different online than offline. In fact, I value integrity, as well as honesty, as a prime virtue; perhaps especially so online.
I like the free exchange of ideas, and I like it best when it's done in a civil manner even with those I might strongly disagree with. I've been involved with the online poetry world for over a decade, and in this past year have turned my back on it precisely because of a growing lack of civil discourse. (I blogged about argument culture, and Deborah Tannen's wonderful book about that topic, as a way of marking my departure.) There are several lit-blogs who authors I almost always disagree with, but we can still have a conversation—most of the time. Certain topics I have discovered that their minds are already closed on, so I don't bother.
In terms of subject matter, I mostly stick to writing about what I know, but I allow myself to write creatively about what I don't know, too. I would hate to be confined to only discussing what I know—because how then would I learn something new? But I too do not write to incite or inspire controversy. I mostly write what I'm thinking about in terms of art, art-making, the history and philosophy around art-making, and so forth. Which doesn't interest many, and I have no expectations of ever acquiring anything more than a small readership of the like-minded.
Fascinating topic. Thanks for inspiring me to think it through again.